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Chapter 1459 of 1923

Chapter 1459: Sunrise (11)

3 min read716 words

Now that Li Yiru has joined, even if she doesn't ask for a lot of

remuneration, she doesn't ask for a high salary, and if she doesn't come to

force her in the position, she will definitely have a need for people. Another

random female number two fools her, she will definitely not agree.

At this point, Bo Yan is naturally prepared.

She is set as Grandma Gu Ba in the play. She doesn't have much ink, but if she

plays well, she will be very glorious on stage. In the original book, Grandma

Gu Ba used money to maintain the "love" bond with Hu Si. She had a saying:

"Love is when you are willing to spend money to ask him to spend. You don't

have to feel heartache no matter how he spends money. That's love!" In modern

words, the explanation is: my old lady is willing to spend money to raise a

little white face!

The original book is a very thoroughly criticized character. Since this is an

adaptation, he has also made a certain degree of correction, merging her with

the part of another character "Cui Xi". Cuixi is a prostitute in the alley,

and is considered to be the bottom of the society. It is said that in order to

write about the situation of the character Cuixi, the author also specially

accompanied the singers into the Bada Hutong to do research and experience

life.

The changes were made, on the one hand, because film and television works are

not novels after all, and a little change is needed. Secondly, a movie is

often limited, and if there are too many clues about the characters, there may

be no way to dig out the characteristics of everyone, and it has to be revised

and abolished to a certain extent.

Since these two people are very important figures in the original book, and

they also represent two classes, it is not so easy to adapt them well. In

particular, we must combine the two into one, not only to let people see her

decayed and backward side, but also to see her last struggle and kindness.

Fortunately, Bo Yan has fully thought about how to dig out and change this

character in the previous adaptation. It doesn't seem to be so fragmented, and

it won't undermine the author's reputation.

This change writes out the struggle and duality of this character. But the

problem is that if you need to play this role well, you have to have kung fu

and acting skills. Although Bo Yan and the screenwriters were able to make the

changes logically self-consistent, he was actually a little worried whether Li

Yiru could act out this feeling.

Since Li Yiru has taken the play, of course I hope to do it well. She also

made preparations before, knowing that these two roles are a bit charming, so

now she also specially dresses me in this direction. But, after all, the drama

is the heroine, Chen Bailu, and Xia Siyu.

It is different from the drama, so the heroine also has to make a little

correction. She was still very strange. They were so relieved. Even though Xia

Siyu had set up her airs, she really didn't need to do anything to mention her

acting? I never saw her say a word or two while reading the script. It seems

that this script was written by her, or she unconditionally believes in the

screenwriter, the director and the actors, and does not need to make any

changes at all, or even an explanation.

But she didn't mention this either, just thought it was a bit strange. After

she and other actors put forward their opinions, the script reading was

basically over. When returning home after the meeting, she made a call to the

nanny.

Her son is almost one year old, and he will call his mother squeaky. Although

she hired two babysitters after she was born, this was the longest time she

had been separated from the child. As soon as it was connected, she heard a

voice coming from behind, and she was ready to hang up alertly.

It was Xia Siyu, with a look of excitement on her face: "Bo Yan, come on, look

at your brother!"