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Chapter 1527 of 1923

Chapter 1527: Documentary (3)

3 min read668 words

When Shang Feier was filming "The Tempest" with Xia Siyu before, she did the

same, she kept silent and didn't comment on anything. In the end, when

filming, I followed the requirements of the script, but in the end it was

slightly "offset". For example, when she wanted to show her weakness and

domineering Xia Siyu, Xia Siyu unceremoniously slapped her in the face, and

she was so powerful that she was a little bit shadowy now, without any

hesitation.

I don’t know if Li Yiru has suffered. After all, in this scene, her

grandmother Gu Ba verbally runs against the heroine Chen Bailu. Although she

did not use her hands, her words can hurt people just as much as a sword.

Shang Feier glanced sympathetically at Li Yiru, young man, you are still too

naive. Xia Siyu is definitely not the kind of person who can swallow his

anger. She will fight back in an honest manner.

Over there, considering his tone and demeanor, after talking about it, Li Yiru

said, “I’m going to enter the house and that’s it. I stand here and start

talking. After a sentence is finished, I will put down the teacup again, and

then pause and continue. After that, he just picked up his foot and walked

away and slammed the door. What about Teacher Xia, do you have anything to

add?"

Xia Siyu was looking down at the script when they had a heated discussion. But

when asked about her, everyone in the room, even Wang Shi and Shang Feier, who

were just sitting aside, turned their heads to look at her. Xia Siyu silently

read the script for a long time, and then only said one sentence: "How can she

treat me this way?"

This sentence made the whole room be stunned. Who treats her badly? What

happened to her? Then everyone unanimously cast their eyes on Bo Yan. Bo Yan

froze for a while at first, then looked at the script, it was clear.

She completely replaced herself with the role in the play. They modified the

script and integrated the image of Grandma Gu. The early stage was still

relatively bad, but the little girl rescued in the later stage was touched

after she died. Chen Bailu was also a friend to her at first. Therefore, Xia

Siyu's remarks were asking Grandma Gu Ba in the script why she still stuck a

knife in her heart when she was in the most difficult time.

She only said this sentence, then did not answer anything, and looked down at

the script dullly. Li Yiru next to him was still a bit at a loss, not

understanding what she was saying. Wang Zheng was the second to hear it, and

his eyes changed a little.

A year ago, when she was filming under his hands, she didn't express any

opinions, but she was a good performer. But now, she has put herself in the

role. What she will do later, what she says, her tone of voice, and her

actions are all the postures that people in the play should have.

It is no wonder that her condition has improved by leaps and bounds recently,

and her old friend Director Ji is also full of praise for her.

After seeing Bo Yan's relieved and Wang Shi's thoughtful expression, Shang

Feier went to read the script and doubled it forward. After clarifying the

general idea, Xia Siyu's performance was about equal to the betrayal of the

scene by her best friend, no wonder she was so angry.

She knew that Xia Siyu was an experientialist acting, completely substituting

herself into the people in the play, and empathizing with them. But she didn't

expect that she could experience it so deeply, even at the stage of script

discussion, she would completely substitute her emotions into it. When she is

herself, she will rationally analyze how the plot should be performed, and

what will happen in this situation, make assumptions before deduction.