Chapter 1534: Untitled (3)

Two scenes, two break.

On the one hand it is the estrangement of friendship, on the other hand it is

the choice of love. In the original work of "Sunrise", the two people get

along with each other like a platonic one. They are first love and very

affectionate. After the time has passed, the situation of the two has changed,

and there is no way to be together easily.

Although Bo Yan made some adaptations, such as slightly modifying Li Yiru's

role, the characters were more concentrated and the contradictions in

personality were more prominent. In order to take care of the emotions of the

spectators, the feelings of the male and female protagonists are also

beautified to a certain extent. For example, the woman's funder, banker Pan

Yueting, is just a back view here. His role has been cut, so it’s good to know

that there is such a background board. The ambiguous mood between the male and

female lords can also be enlarged, and there can even be some scenes that

vaguely indicate that the two people have had a period of time.

However, when the story happened, he had to make sure that the whole plot went

smoothly. There should not be any love-talking shots in the picture, but the

design of the eyes and the small movements of the fingers must be in place to

allow this invisible tension to be expressed in the language of the lens.

Even if it was the final separation, he wanted to photograph this feeling of

wanting to talk, but reluctant to pull again. Shooting yourself and directing

yourself are completely two concepts. If we say that when he started this

project, he was still a bit at a loss, and he didn't have a particularly clear

projection of the works in his mind. However, by now, he is fully engaged in

the role of director.

But he is also an actor, and when a scene is projected in his brain, and then

interpret it, he thinks more comprehensively. When rehearsing with Xia Siyu

again, it is not just her that will be seen, but also the objects behind her,

the clothes on her, and all the surrounding environment.

But when Xia Siyu spoke and left, his gaze would be attracted by her

unconsciously, and substituting him.

The dress rehearsal is just like what he said in the morning, only 50%

investment is needed, so he has a place to think about her clothes,

environment, and objects. But Xia Siyu was 100% committed, and the feeling of

being taken away was too strong. Although according to the persona in the

play, even if the mood is very ups and downs, she shouldn't yell or make extra

moves, she should look calm and calm. But Bo Yan just felt that her emotions

were inexplicably infected by her, and naturally integrated into the plot,

until the whole rehearsal was over.

But the director here said "OK", and then Xia Siyu began to tremble. Because

this scene is more important, her makeup, hair accessories on her head, and

cheongsam on her body should not be messy, there will be creases when she

moves. She can’t move her head, her hairstyle is more difficult, she has

jewelry on her head, and she has to pay for it if the crew is poor. She turned

her wrist under limited conditions, and her fingers were flexible to express

her posture.

But when she shouted "start", her whole body's emotions converged in an

instant, just like a student ringing a class bell. When get out of class is

over, don't worry about how to move like a rabbit, and she will be as quiet as

a virgin when she arrives in class.

A total of rehearsals several times, each time, Bo Yan played against her, the

most direct feeling, although she is 100% dedicated each time, but there will

be fine-tuning in the details. Maybe she can't express it, but every time she

acts in a play, the audience is on the side and feels: Yes, it is like this,

the person in the play is like this, you have to act like this!