Chapter 632: Hatred (4)

Although the film and television center has many times better facilities than

the small courtyard. It’s inconvenient to take a bath here, to go to the

bathroom, to wash, and even to cook.

However, in this small courtyard, only Bo Yan and Xia Siyu team members stayed

in, and there was also a host who did not know much about the entertainment

industry.

In the hotel, even if Bo Yan covers the entire floor, she still thinks that

there is a possibility that a reporter, or an artist, director, etc. will come

to the door and help every minute.

However, Xia Siyu and the others arrived at the small courtyard at noon and

had no time to rest, so they went directly to the studio to start filming. The

only advantage is that filming here only needs to be filmed during the day,

and there is almost no night filming. Most of the night content can be filmed

in the studio.

They are all daytime scenes, so there is a lot of time to go back to the

courtyard to rest at night.

Only came today, and Director Sun did not arrange any difficult scenes. Just

run and walk in the corn field and wheat field. Through the golden wheat

fields, through the endless yellow fields.

In short, she walked in the front, and Bo Yan followed.

There is no plot, and no plot is needed, but it is a physical project, which

is tiring.

Just like the famous "Japanese TV run" in Japanese TV series, the male and

female lead quarreled and ran for a while. The hostess broke up and ran for a

while. When the man and woman reunited, they had to continue running.

Not for running, but for a state, a change.

Fortunately, Bo Yan and Xia Siyu are both long-term exercisers. In the past

two days for filming, Bo Yan did not do exercises with her at night. They were

very physically energetic.

The two walked all the way one after the other. The heroine doesn't need to

play too much here, and her state at this time hates the hero. The protagonist

regrets, is confused, likes her but dare not pursue, so he can only follow her

all the time.

Bo Yan only needs to perform that kind of careful cherishment, regretfulness,

and confusion about the future. This is simply too simple. He had done this to

Xia Siyu in the previous seven years.

Follow her steps all the way, step on the puddle she stepped on, jump over the

stone she jumped off. She was tired and rested on the edge of the field, but

he dared not approach him ten meters away. After she had left, he stayed in

her position for a while, brushing the grass she picked up on a whim and

breathing the air she breathed.

This kind of Meng Sao scene does not need to be acted at all, it is his true

reflection. Even now, they are considered to be "happy in love", and he cannot

be disclosed because of each other's identity. For a man, not being able to

recognize his beloved wife and not being able to give his wife status in

public is a manifestation of depression and incompetence. At this time, he

also needs to express his love for her in various ways.

There are some small details that even Director Sun didn't think of, but Bo

Yan thought of it. In the photographic lens, he is like the shadow of the

heroine. He wants to hug her, but is also afraid of being hated and disliked

by her. Deep down, he still feels unworthy. But the more entangled, the more

he loves.

Not only Director Sun, but other unidentified crew members, do not feel that

he has any special feelings for Xia Siyu, but only feel that his acting skills

are awesome.

Of course, Xia Siyu himself must be excellent if he can bear such a crush on

the blunt words. Just like the heroine in "The Beautiful Legend of Sicily",

she must be very good, to be remembered by the men of the island, and set up

by the jealous women of the island to stand up.